Kyle Winston (MArch I)
Release from Routine
Freedom through Reorienting Perceptions
This primer poses that freedom in the public can be subtle and embedded.
It mustn’t be exclusively discreet, but instead a nuance of what is already there, intrinsic, revealed. These six case studies attempt to capture these moments; where in an instance, while maybe fleeting, the routine is reoriented to let new perceptions in, a freedom to know more, know something else, or maybe just, notice.
Experiments in Public Freedom Spring 2020
Release from Routine
Freedom through Reorienting Perceptions
This primer poses that freedom in the public can be subtle and embedded.
It mustn’t be exclusively discreet, but instead a nuance of what is already there, intrinsic, revealed. These six case studies attempt to capture these moments; where in an instance, while maybe fleeting, the routine is reoriented to let new perceptions in, a freedom to know more, know something else, or maybe just, notice.
Experiments in Public Freedom Spring 2020
Time Square
Max Neuhaus
Broadway between 45th and 46th St,
New York, United States
1977 / 2002
Spatial quality: The Contained
Max Neuhaus
Broadway between 45th and 46th St,
New York, United States
1977 / 2002
Spatial quality: The Contained
Scrim Veil-Black Rectangle-Natural Light
Robert Irwin
Whitney Museum of American Art, New York, United States
1977 / 2013
Spatial quality: The Neutral
Robert Irwin
Whitney Museum of American Art, New York, United States
1977 / 2013
Spatial quality: The Neutral
Floating Mesa
Andrew Leiceste
Goat Mountain, Amarillo,
Texas, United States
1980 (comissioned)
Spatial quality: The Blank
Andrew Leiceste
Goat Mountain, Amarillo,
Texas, United States
1980 (comissioned)
Spatial quality: The Blank
